The film is beautifully shot in chilly blues and grays by cinematographer Roger Deakins, and Los Angeles locales are well chosen for futuristic effect. Most of the time, however, I found myself glancing at the clock on my own wrist.. Niccol's zippy direction, joined to a sleek, rich production design, keeps the movie spinning like a shiny toy.. Niccol's movie demands a lot of explanation - too much.. A movie so consistently flat-footed, with pauses between lines of dialogue so vast, that you beg...
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